Peter Edelmann
Baritone
Press Reviews
"Don Alfonso, played with great authority by Peter Edelmann, is the team manager, sketching out fidelity and seduction on a flip-chart, like tactics on the pitch."
- The Irish Times, May 29, 2007
"As Papageno, Peter Edelmann has a refreshing naturalness and a sparkling voice."
- Tagesspiegel Berlin
"The baritone Peter Edelmann portrayed a very handsome Guglielmo with a core of a voice ringing slender and strong."
- Orpheus
"Peter Edelmann stands as a cultivated Papageno with a profound intensity of expression."
- Berliner Morgenpost
"The happiest event: there he is the new Danilo. Peter Edelmann has a beautiful, mellow voice. He is beaming, charming, fresh and an actor full of expression. A splendid fellow with a posh flair."
- Wiener Zeitung
"Peter Edelmann possesses a warm baritone and rendered a sensitive characterization of Wolfram von Eschenbach. Through his beautiful singing he is a bit reminiscent of a young Bernd Weikl and was one of the big stars in Professor Götz Friedrichs Tannhäuser in the Deutsche Oper Berlin."
- Rhein-Neckar-Zeitung
"Surprisingly in the role of Stolzius Peter Edelmann rises to the level of a Wozzeck, giving a riveting portrayal and an individualized vocal presence."
- Tagesspiegel Berlin
"Peter Edelmann has a properly trained lyrical voice with a good core. One is pleased about his imposing, good looks. The character of Herr Fluth is well balanced and intelligently played."
- Merker
"The most convincing of all here was the acting and splendid singing of Peter Edelmann as Eisenstein."
- Salzburger Nachrichten
"Appealing Edelmann stints on story: his voice is burly, soft-edged and appealing. Edelmann is an expressive storytelling singer...." (Lied recital)
- Boston Globe
"His rich, resounding baritone, perfectly endearing singing and acting, and subtly humorous...." (Papageno)
- The Jerusalem Post